Jessica Lea Mayfield „Tell Me“ (Nonesuch)
The suspicion of those who do not have a thorough knowledge of detail of the person Jessica Lea Mayfield steals at the sight of the cover is, unfortunately, have not completely out of hand. Since then is bleached, round-faced doll, whose image consultant with the hair issue has gripped definitely wrong, that does not know what to do with his hands, and even quite terrible, they last so that it is tempting just to contact the nearest refuge. After the first few bars of her current CD can be noted, however, that one here has grossly deceived, because of what we in the southern areas, commonly referred to as "Hascherl," this woman has as little as Lothar Matthäus a usable brain.
In the very first song that, like some other makes on "Tell Me" could well apply for a place on the next Tarantino soundtrack, a wonderfully dirty guitar riff loudmouthed place and you know immediately that the proportion of-budgetary producer Dan Auerbach of the Grammy winners The Black Keys no less and no can be worse. And in the following items supplied Auerbach Mayfield's sound with rich tone and volume and so the album is not quiet and timid Folkstückchen, but a very self-conscious and subtle blend of blues, country and alternative Songwriterpop relaxed.
is they are not too good for the odd surprise: an easy beschiggerten uuhh-lalala-chorus of "Blue Skies Again", the casual, almost childlike "Grown Man", by magic, with Casiotone and Drumpadgeplucker ("I Can Feel you watching me and I'd give most anything to know as you're sitting there with your legs crossed and no clothes on what you are thinking of ...") - sometimes it seems like Sparingspartnerin of Upper relaxers Jack Johnson ("Our Hearts Are Wrong "), then again as the twin sister of Adele Darling (" Sleepless ").
Whether you know, what was read, the format of Hope Sandoval, singer the cult worshiped Mazzy Star, has to be seen, it is clear that the keyboard of the minor is capable of playing quite brilliantly that they also koketiert like the naive, delicate appearance and mood. However, if they heartbreaking "Run Myself Into the Ground" insisting: "I is not gonna change for nobody at all ...", then take it off the better. Such lines to the above-mentioned cover photo of who the so-harmless hinbekommt like them, has not only an admirable sense of humor, but also packed enough confidence for the way forward.
http://www.jessicaleamayfield.com/
The suspicion of those who do not have a thorough knowledge of detail of the person Jessica Lea Mayfield steals at the sight of the cover is, unfortunately, have not completely out of hand. Since then is bleached, round-faced doll, whose image consultant with the hair issue has gripped definitely wrong, that does not know what to do with his hands, and even quite terrible, they last so that it is tempting just to contact the nearest refuge. After the first few bars of her current CD can be noted, however, that one here has grossly deceived, because of what we in the southern areas, commonly referred to as "Hascherl," this woman has as little as Lothar Matthäus a usable brain.
In the very first song that, like some other makes on "Tell Me" could well apply for a place on the next Tarantino soundtrack, a wonderfully dirty guitar riff loudmouthed place and you know immediately that the proportion of-budgetary producer Dan Auerbach of the Grammy winners The Black Keys no less and no can be worse. And in the following items supplied Auerbach Mayfield's sound with rich tone and volume and so the album is not quiet and timid Folkstückchen, but a very self-conscious and subtle blend of blues, country and alternative Songwriterpop relaxed.
is they are not too good for the odd surprise: an easy beschiggerten uuhh-lalala-chorus of "Blue Skies Again", the casual, almost childlike "Grown Man", by magic, with Casiotone and Drumpadgeplucker ("I Can Feel you watching me and I'd give most anything to know as you're sitting there with your legs crossed and no clothes on what you are thinking of ...") - sometimes it seems like Sparingspartnerin of Upper relaxers Jack Johnson ("Our Hearts Are Wrong "), then again as the twin sister of Adele Darling (" Sleepless ").
Whether you know, what was read, the format of Hope Sandoval, singer the cult worshiped Mazzy Star, has to be seen, it is clear that the keyboard of the minor is capable of playing quite brilliantly that they also koketiert like the naive, delicate appearance and mood. However, if they heartbreaking "Run Myself Into the Ground" insisting: "I is not gonna change for nobody at all ...", then take it off the better. Such lines to the above-mentioned cover photo of who the so-harmless hinbekommt like them, has not only an admirable sense of humor, but also packed enough confidence for the way forward.
http://www.jessicaleamayfield.com/
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